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Bodies Electric, by Colin Harrison
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Two years after his pregnant wife is killed in New York City, media planner Jack Whitman takes in Dolores Salcines, a beautiful, troubled woman on the run from her dangerous husband. 100,000 first printing. Major ad/promo.
- Sales Rank: #1479003 in Books
- Published on: 1993-05-11
- Released on: 1993-05-11
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 6.50" w x 1.25" l,
- Binding: Hardcover
- 385 pages
From Publishers Weekly
When the behind-your-back world of a Manhattan executive collides with the in-your-face-reality of a battered Brooklyn woman, the result is a taut, nerve-wracking drama. Jack Whitman's rosy future in a Time Warner- type media conglomerate turns into workaholic obsession when his pregnant wife is gunned down by random crossfire. Grief-driven, Jacks zooms along the fast track, becoming a major player in his boss's plan to wrest control of "the Corporation" from the company's chairman by completing a multinational merger without notifying the board. A chance subway encounter with Dolores Salcines--a Dominican mother hiding with her four-year-old daughter, Maria, from her violent husband, Hector--drives his loneliness home. Moved by her plight--and her beauty--he offers Dolores a job and a temporary safe house at a friend's empty loft. But Hector finds them; they narrowly escape and end up in Jack's house in Park Slope. Now tragedy is in store, stalking Jack at work as the internecine war escalates and at home as Hector closes in. Only one incident at this point may dismay readers, who will find it contrived. Otherwise, Harrison ( Break and Enter ) has written a beautifully balanced thriller in which high-tech corporate power struggles are contrasted with the incendiary passion for family shared by Jack, who finally has everything, and Hector, who has lost it all. $100,000 ad/promo.
Copyright 1993 Reed Business Information, Inc.
From Library Journal
This is a hard-boiled detective novel without the detective. Harrison has a feel for the rhythm of New York, just as Dashiell Hammett had for San Francisco. The plot, told from the perspective of corporate businessman Jack Whitman, oozes sex, blood, and greed. At first, the reader feels sorry for Whitman when he is pulled into a corporate coup d'etat and is caught up in a dangerous love affair after the brutal murder of his pregnant wife. Later, however, it becomes apparent that Whitman is a metaphor for the greed of our era with his amoral ability to use money and people interchangeably. He tries to reconstruct his family by taking in a down-and-out woman and her daughter, while using corporate might to hold the estranged father at arm's length. Meanwhile, he is a point-man for an internal takeover in a multinational corporation. One could feel sorry for Whitman when his life collapses, but the forces that destroy him are cut from the same cloth as he is. The beauty of this book is in the characters' depth. An editor at Harper's magazine, Harrison is author of Break and Enter (Crown, 1990). Previewed in Prepub Alert, LJ 1/93.
- Randall L. Schroeder, Augustana Coll. Lib., Rock Island, Ill.
Copyright 1993 Reed Business Information, Inc.
From Kirkus Reviews
Harrison (Break and Enter, 1990) returns with the story of a 35-year-old widower who takes in a fleeing wife and her four-year- old daughter--at the same time that he's fighting for survival at the top of a communications conglomerate. Jack Whitman's rise to the near-top of a Time-Warneresque corporation was swift and well-rewarded. His personal life was equally successful until his pregnant wife was shot and killed by a drug dealer aiming at nearby rivals. Alone in his big Park Slope brownstone, Whitman now nurses his reflux-ravaged esophagus through the night, and protects his career from attacks on all sides during the day. His company is poised to merge with a German-Japanese conglomerate, an alliance that may take Jack to corporate nirvana or put him on the street. Taking the subway home one night, he meets a beautiful but exhausted woman who, with her little daughter, may be homeless--and after several days, a very tentative Dolores and her much less tentative daughter Maria enter his life. Dolores, a Dominican, has fled her Puerto Rican husband--she's not looking for a relationship, she just needs to stay off the streets. But Jack is clearly and powerfully attracted to her. When the husband picks up Dolores' trail and begins to threaten Jack, Jack hides her and the girl in his house, where she begins to carve out a home for the three of them. Meanwhile, Jack's professional life gets more and more frightening. He's been assigned the suicidal task of convincing the corporation's powerful chairman of the wisdom and inevitability of the megamerger, and the chairman is quite as dangerous as the maniacally vengeful husband.... Intelligent and totally absorbing. What might have been a routine corporate-basher becomes, in the hands of the very skillful, wisely observant, and profoundly moral author, a novel to remember. Walt Whitman haunts the story throughout and to great effect. (First printing of 60,000) -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
7 of 8 people found the following review helpful.
engrossing thriller
By Hepzibah P. Flurge
I had some minor issues toward the end. During a meeting late in the novel, a character is forced to present wearing nothing but swimwear. This seemed a laborious way to make a point, and the silliness of the situation distracted me. The ending ties up messily, with everything resolved but in a manner that stretches the limits of disbelief. People are revealed for what and who they really are, certainly, but there's a lack of motivation behind their actions, and their deeds are not convincing.
I'm being deliberately coy, because all faults aside, this is a very impressive book. Harrison's writing style and the depth and breadth of his characters are beautiful. Reading on, you come to feel as if you know these people, and in most instances you genuinely care about them. Even minor characters are fully limned. Better still is what Harrison doesn't say. Jack Whitman tells us that his mother never liked his late wife, and in the next breath that he doesn't speak to his mother much anymore. Harrison lets us read between the lines in many such places.
A classical sense of tragedy runs through this book: that our lives are not foretold but shaped by us, and that we are often the sources of our own ruin. At the tale's end, you'll want to go back to the beginning, armed with a new knowledge of who these people are and what will become of them.
16 of 16 people found the following review helpful.
Possibly the best novel I have ever read.
By Mark Lahren
When I first opened this book and began reading it, I knew I was in good hands. The writing is beautiful. I finished it in two sittings, and immediately regretted reading it so fast, but I couldn't help it. It is stunningly captivating and putting it down is very close to impossible. I've read thousands of novels in my time, and I can't at the moment think of one written better than this one. Mr. Harrison's mastery of the English language is unequalled. The characters are fascinating and the storytelling flawless. And the suspense will have you reading at the edge of your seat. Also check out 'Break and Enter' and 'Manhattan Nocturne', both also works of art. But 'Bodies Electric' will always be my favorite. My guess is; if you read this one, you will be desperately hunting for everything else he's written, and you won't be disappointed when you find them.
4 of 8 people found the following review helpful.
Again, Harrison has fulfilled my life for 2 more days.
By A Customer
Fantastic! That's what I could only say to you guys without any chronicle backpains. I suffered a badback again last week and had to lie down in bed for 4 days. "Bodies Electric" had lightened my painful suffering for two days and enlightened me in the meantime. When I finished it, I could not help but shaking my head awkwardly on my pillows with amazement and appreciation. This review is also my "Thank You!" note to Mr. Harrison for this wonderful and profound painkiller other than Motrin 800 mg and Flexril. The only thing that I did not quite enjoyed is that when I finished reading, the ending seems to be a bit rushed and obscure. Mr. Harrison so far has created two profound, memorable yet lonely characters: Jack Whiteman and Porter Wren. Both are fatally driven to be a "tragic hero" and a living example of "The heart is a lonely hunter." Both have made you, the reader, to look at the faceless lonely crowd out in the street, on the sidewalk, in the concrete jungles, with new way of looking angle, finally realized and visualized that behind every expressionless face and worldly success, some of them might still with passion, love, warmth, sympathy, fantasy, desire, weakness, helplessness, tenderness, hopes and dreams. Harrion's artwork might not be easily appreciated by those under 30 who are still unconciously or subconciously reading books with their own different moral standards, with their bias social values or pre-judgement to approach a book, trying to categorize a book with the superflous commercial brands: "Thriller, Genre," words like "Suspenseful, whodunit...." These pathetic marketing stuff in fact, all got nothing to do with Harrison's works. Because he only told us two thing: "No matter what and why, no matter how and when, with wife and children or not, we human beings still got a darker side and lonely inner self. The spur-of-the-moment or your behavior, no matter how reasonable or logical at the moment, or vise versa, sometimes might just ruin everything you have worked so hard to have achieved or reached." Reading Mr. Harrison's books with any social value or moral standard is a doomed wrong start albeit to appreciate his greatness.
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