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Peter Pan & Wendy, by J.M. Barrie
Ebook Free Peter Pan & Wendy, by J.M. Barrie
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All children except one grow up. In 1904, Peter Pan first flew across a London stage and into the bedroom of Wendy, John, and Michael Darling. Ever since, this perpetual youth has continued to delight children of all ages. Young readers will happily soar with him and his friends to enchanted Neverland, where they’ll meet Tinkerbell, the Lost Boys, and the “dark and sinister” Captain Hook. It’s a tale as ageless as its beloved hero.
- Sales Rank: #15980227 in Books
- Published on: 1988-12-12
- Released on: 1988-12-12
- Original language: English
- Number of items: 1
- Binding: Hardcover
Amazon.com Review
"All children, except one, grow up." Thus begins a great classic of children's literature that we all remember as magical. What we tend to forget, because the tale of Peter Pan and Neverland has been so relentlessly boiled down, hashed up, and coated in saccharine, is that J.M. Barrie's original version is also witty, sophisticated, and delightfully odd. The Darling children, Wendy, John, and Michael, live a very proper middle-class life in Edwardian London, but they also happen to have a Newfoundland for a nurse. The text is full of such throwaway gems as "Mrs. Darling first heard of Peter Pan when she was tidying up her children's minds," and is peppered with deliberately obscure vocabulary including "embonpoint," "quietus," and "pluperfect." Lest we forget, it was written in 1904, a relatively innocent age in which a plot about abducted children must have seemed more safely fanciful. Also, perhaps, it was an age that expected more of its children's books, for Peter Pan has a suppleness, lightness, and intelligence that are "literary" in the best sense. In a typical exchange with the dastardly Captain Hook, Peter Pan describes himself as "youth... joy... a little bird that has broken out of the egg," and the author interjects: "This, of course, was nonsense; but it was proof to the unhappy Hook that Peter did not know in the least who or what he was, which is the very pinnacle of good form." A book for adult readers-aloud to revel in--and it just might teach young listeners to fly. (Ages 5 and older) --Richard Farr
From School Library Journal
Grade 4-7-J. M. Barrie's classic tale comes to life in this radio play adaptation. Young listeners will once again be thrilled with the antics of Peter, Wendy, Michael, the Lost Boy, Captain Hook, and Tinkerbell. The voices of the children and adult actors are well suited to the story. There are a few places where the dialogue is a little fuzzy, but overall the audio quality is very clear. Following the original tale closely, this radio play is a refreshing change from traditional books on tape and will provide pleasurable listening for young readers. Teachers may want to use it as anexample for expressive reading and acting techniques. A unique selection to add to audio collections.
Ginny Harrell, William M. McGarrah Elementary School, Morrow, GA
Copyright 1999 Reed Business Information, Inc.
From Kirkus Reviews
An unusually large, attractive, unabridged edition with dozens of full-page illustrations and smaller vignettes. In style, Gustafson's lusty oil paintings of the pirates are akin to N. C. Wyeth's, though they have more the flavor of compelling dramatic play than real menace. His slim, round-faced, rosy children and cozy interiors are closer to Wyeth's gifted student, Jessie Wilcox Smith, while the ethereal yet mischievous fairy folk recall Rackham. This is not to suggest that the result is merely derivative, in the manner of Michael Hague; Gustafson is a talented craftsman who skillfully melds his references to past greats to create an appropriately traditional style that has enough of a contemporary aura (especially in the characterizations) for broad popular appeal. An endpaper map of ``The Neverland'' and meticulous renditions of intriguing details add to the drama and fun. A perfect gift for a family that reads aloud. (Fiction. 5+) -- Copyright ©1991, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
39 of 39 people found the following review helpful.
Peter Pan's Deathless Birth-Tale
By Brent R. Swanson
Sir James Barrie first wrote of Peter Pan in "The Little White Bird," published in 1902. This was followed by the play, "Peter Pan," in 1904, which Barrie then adapted into book form as "Peter and Wendy" (sort of the home video edition of play before the days of home video). In 1906, the six Peter Pan chapters of "Little White Bird" were published under the title "Peter Pan in Kensington Gardens" with illustrations by Arthur Rackham.
If you're more interested in Barrie's modus operandi, his development of the Peter Pan mythos from his relationship with Llewelyn Davies family and their boys, "The Little White Bird" is an essential source. "Peter Pan in Kensington Gardens" is Peter Pan with much of the autobiographical sentimentality scissored out. While this eliminates some maudlin overtones, it also removes interesting details such as Pilkington, the prototype of Captain Hook, whose "shadow was all over the gardens."
The only edition I have for comparison's sake is the Weathervane facsimile, published in 1975. Dover's edition is big improvement as far as readability is concerned. All the color plates have page references, and are inserted in close proximity to the related text. Overall reproduction of the plates is a trifle smaller and a bit darker than the Weathervane edition, but usually richer in color values and with a bit more clarity. One plate, "Butter is got from the roots of old trees," has come off a little too dark and obscured, but overall, Dover has done a fine job.
For the reader who wants to read more about Peter Pan from the hand of his creator, or who wants to give a child an introduction to the character sans all the commercial and sometimes revisionist ballast that's been added since Barrie's day, this edition is highly recommended.
33 of 35 people found the following review helpful.
"To Die Would Be a Great Adventure!"
By R. M. Fisher
Most people think they've read - or at least know - the story of Peter Pan. The figure of the boy who refuses to grow up has become so infused in Western culture that he's taken on a life beyond his literary beginnings, starring in countless theatrical productions, movies, television series, prequels and sequels, his image used in merchandise (everything from records to peanut butter), and on several famous statues around the world (the most famous being the one in Kensington Gardens) and even providing the namesake behind a psychological condition (we've all heard of people with a "Peter Pan syndrome," referring to those who refuse to accept the responsibilities of adult life). And then there's that *other* Neverland which lends unfortunate connotations to Barrie's work.
The origins of "Peter Pan" are quite muddled, first appearing in an adult's book titled "The White Bird," after which the relevant chapters were transferred into a children's book titled "Peter Pan in Kensington Gardens" (which involves Peter's escape from his home into the company of fairies who live in Kensington Gardens). From there, Barrie used the titular character in his children's play "Peter Pan, or The Boy Who Wouldn't Grow Up," and later adapted the story into a novel called "Peter and Wendy" - though now it's usually simply titled "Peter Pan."
It's complicated, but the fact of the matter is that if you haven't read this original text of "Peter Pan" by J.M. Barrie, then you really don't know the story at all. The Disney movie, the stage productions (especially those that aren't based on Barrie's own script), or one of the myriad of abridged picture books, simply don't count. And don't even get me started on Steven Spielberg's "Hook." These adaptations don't even begin to scratch the surface of one of the deepest, most intriguing, and darkest children's books ever to be written. Would you believe me if I told you that "Peter Pan" contains scenes of the pirates brutally massacring the "redskins"? That Tinkerbell doesn't live to the very end of the story? Or that Barrie includes a scene that casually mentions fairies returning home from an orgy? And Neverland may well be the land of the imagination, but that doesn't stop Barrie from portraying the Lost Boys from being a rather bloodthirsty group of feral children, who at one stage consider chaining up Wendy in order to prevent her from abandoning them.
And these are just periphery details, not touching on the heavy themes of death and rebirth, the relationship between parents and their children, the loss of innocence and price of adulthood, the pain of loving someone and the terrible passage of time that permeate the entire book. It's pretty dense stuff for a children's book, but so much more rewarding than all the sanitized versions out there that strip the original manuscript of its potency. At its core "Peter Pan" is a modern fairytale, providing hidden commentary on impending adulthood, though simultaneously existing as a celebration of childhood in all its joy, egotism, wonderment and heartlessness. It's not hard to recognize Neverland itself as the landscape of a child's mind, full of adventures and bereft of any parents - a wonderful place to visit...but would you really want to stay there forever? And that's not meant to be a rhetorical question: Barrie seriously asks the reader at times whether eternal childhood is a boon or a curse. Given the circumstances of his own life, I don't think he himself ever made up his mind.
This review is already quite lengthy, and I haven't even given a synopsis yet - though it may seem a bit redundant. Everyone knows that the eternal-child Peter Pan comes to the Darling household one night and spirits away Wendy (and her two brothers) in order for her to act as a mother for himself and the Lost Boys. Without a thought to the grief of their parents left behind, the siblings leap at the offer and soon find themselves showered in fairy-dust and flying through the London air toward Neverland, a place they've visited only in their dreams. Although Neverland is full of beauty, there is danger as well, especially in the dark figure of the notorious Captain Hook, who despises children - especially Peter Pan.
Of course, you probably already know the famous events that follow: the thimble/kiss, the runaway shadow, the ticking crocodile, the house that is built around Wendy as she lies unconscious, the rescue of Tiger Lily at Mermaid's Lagoon, the jealous rages of tiny Tinkerbell and her sacrifice to save Peter's life, and of course the battle-royale on Hook's pirate ship, but if you haven't read the book, I bet you've never heard of the Never-bird, or Wendy's pet wolf, or Mrs Darling's hidden kiss. There are so many treasures in this story, and it's all told in Barrie's fascinating narrative voice, which can go from poetic to whimsical to satirical to philosophical within the space of a few paragraphs.
It's so very tempting to go on about the deep symbolism and meaning inherent in almost every passage in the story (Freud would have a field-day with "Peter Pan", even without the original play's tradition of casting the same actor in the parts of both Mr Darling and Captain Hook) but it is so much more rewarding to discover it all for yourself. "Peter Pan" is one of those rare books that grows richer, more heartbreaking and meaningful with each read.
11 of 12 people found the following review helpful.
A Neat Package
By theboombody
Hmm...., Peter and Wendy is obviously a five star book all the way, but what about Peter Pan in Kensington Gardens? Well, it's not really a complete book, first off. It's just a large section taken out of an earlier Barrie book titled The Little White Bird. So its very fragmented. Second, since it's more of a springboard the for ideas that formed the Peter Pan play than anything else, it repeats quite a bit of what we have already seen multiple times in many of the famous Peter Pan adaptations.
Even so, I did get a lot of enjoyment out of Peter Pan in Kensington Gardens. Aside from the first chapter (which isn't much fun if you haven't been to the gardens), I was quite entertained. Barrie's theory that people are born as birds and then turn into humans afterward is pretty wild, and I loved Peter's interaction with the girl who was captured by the fairies. Peter thought he played games the same way all real boys did but just embarassed the heck out of himself, throwing the hula-hoops or whatever those things were in the water. Poor guy.
So all in all, you have a great introduction followed by a good book fragment and topped off with an all-time classic. Not a bad purchase at all.
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