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"An important and inspiring novel."
VOICE LITERARY SUPPLEMENT
It is 18th-century London and John Lempriere, a young scholar, is writing a dictionary of classical mythology in an attempt to exorcise the demons raised by his father's violent and bizarre death. While tending to his father's business affairs, Lempriere discovers a 150-year old conspiracy that has kept his family from its share of the fabulously wealthy East India Company. But as John begins to untangle the years of mystery and deceit, people begin to die, in ways that mirror the very myths he is researching....
From the Trade Paperback edition.
- Sales Rank: #1454498 in Books
- Published on: 1992-09-08
- Released on: 1992-09-08
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 2
- Dimensions: 9.00" h x 6.25" w x 1.50" l,
- Binding: Hardcover
- 422 pages
From Publishers Weekly
Few discerning readers will care to hack through this choked jungle of historical fiction, fantasy and myth, despite the obvious intelligence and erudition British first novelist Norfolk displays here. John Lempriere, an actual 18th-century classicist and mythographer, perceives the world through the lenses of Greek and Latin fables. When he sees his father mangled by hunting dogs, just after both have witnessed a naked girl--John's adored Juliette--bathing in a forest stream, this evocation of Actaeon and Diana goads Lempriere to "lay the ghosts to Antiquity" by compiling his famed Dictionary . In 19th-century London, ancient ghosts proliferate. Lampriere views Pork Club revelers as Circe's swine; a grotesquely murdered woman who was fed molten gold is perceived as Danae, seduced by Jove in a golden rain; a Juliette lookalike, slain in a goatskin, is a latter-day Iphigenia. Interlarded is a bloated subplot, delineating a scam enacted generations earlier by a party of East India traders, which in 1627 led to Richelieu's crushing siege of the French city of La Rochelle when Huguenots sided with the English. During an eerie trance (paralleling the underworld visits of heroes Ulysses and Aeneas) Lempriere learns of his ancestor's meddling in the traders' "Cabbala." It is the phantoms of history who drove him to authorship. Norfolk's superimposition of mythic patterns on urban life implies a model in James Joyce's Ulysses. While his scheme misfires, he is a writer of talent who may yet write a better novel.
Copyright 1992 Reed Business Information, Inc.
From Library Journal
If Norfolk's first novel were indeed a dictionary, its first entries might well be accomplished, ambitious, and audacious. On one level this is a richly textured historical novel set at the end of the 18th century in London, Paris , and the Channel Islands. At the same time it subverts our expectations, revealing "history " as a vast conspiracy whose workings are both mysterious and inevitable. At its center is John Lempri ere, a (real) figure whose 1788 dictionary of mythology insists on springing to gruesome life. An army of cabalists and automatons, a virtual bureaucracy of the damned, plotting apocalypse, are ranged against him. Dauntingly elusive and allusive, but highly recommended for readers of Eco and Fowles. Previewed in Prepub Alert, LJ 5/15/92.
- Grove Koger, Boise P.L., Id.
Copyright 1992 Reed Business Information, Inc.
From Kirkus Reviews
A masterful debut from Londoner Norfolk that delves into 18th- century commerce by way of classical mythology, suggesting grim secrets behind the spectacular success of the East India Company- -secrets that have root in the mass suicide of Huguenots under siege in the French port city of Rochelle more that a century earlier. Deftly merging history, classical allusions, and fabulous fantasy, in a style that merits comparison to Dickens as well as Gilbert & Sullivan, Norfolk conjures up an imaginary life of John LempriŠre, actual author of a popular precursor to Bullfinch's Mythology. As an awkward young man on the isle of Jersey, John witnesses his father's violent death when assaulted by a pack of savage hounds owned by neighbor Viscount Casterleigh, whose daughter John loves with paralyzing passion. Then, while settling his father's estate in London, he learns of a mysterious contract between a distant Huguenot ancestor and an English earl, and his interest in it grows as he makes contact with others who fill in pieces of the puzzle. Meanwhile, in caverns deep beneath the city, a cabbala plots to lure young LempriŠre into their midst using member Casterleigh's daughter as bait; an assassin from the Indian Nawab' palace stalks the two; a ship full of ancient mariners, pirates all, plies its way to the London docks in pursuit of a cargo of sulphur from which to make gunpowder; and unrest among city laborers and the lower classes grows, incited by the firebrand Farina. LempriŠre comes face-to-face with the cabbala in their lair, where he finds their leader to be his own distant ancestor and learns why he was encouraged to write his dictionary, triggering a larger conflagration as the assassin, pirates, and the mob make their moves while the evil Company is destroyed, literally, by an avenging angel. Wildly and wonderfully improbable, reveling in the countless allusions that feed its dark vision: a delight for classicists, historians, and any reader eager to be overwhelmed by a story. An exceptional achievement. -- Copyright ©1992, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
53 of 53 people found the following review helpful.
The English edition is far superior to the American edition.
By A Customer
I had heard that the American edition had been edited, so I read the English edition. I then looked through a copy of the American edition, looking for differences. The differences aresignificant; even a casual inspection turns up major differences in the ending of the novel. The true identities of at least two major characters (and one minor character) are not revealed in the American edition. (Surprisingly, the Kirkus review quoted above seems to refer to the English edition.) Furthermore, the ending of the American edition is extremely compressed, giving it a noticeably different tone from the rest of the novel.
I don't understand why the Americanpublishers would make such changes. If they wanted to make the novel shorter or more accessible, they could have cut some of the descriptive passages; instead, they chose to alter the ending, which serves only to weaken the novel.
I also wonder why there is no indication that the American edition has been edited. I thought there was a requirement to note that an edition has been abridged or otherwise revised, but apparently there isn't.
If you want to read this book as the author intended, read the English edition. It's worth your while.
11 of 11 people found the following review helpful.
An amazing epic novel of mystery and adventure.
By Nicolas J. Hanauer
I absolutlely loved the awesome inventiveness of this novel. And although it is tremendously complicated and difficult to read I found it very rewarding. The amazing thing that I found out only after I finished the book is that there really is a "Lempriere's dictionary"! I know absolutely nothing about the mythology that is so often referenced in the book and simply ignored it. I suspect that readers with a better classics background than mine would like it even more. Not recommended for those that need the pace of John Grisham or Tom Clancy to stay interested in a book.
8 of 8 people found the following review helpful.
Like lasagna, even better the second time
By eowyn279
I really enjoyed this book the first time, but in reading it the second time, it was even better. Ok, so the suspense wasn't quite the same, but a lot of the narrative/plot made more sense. Reviewers on this site have called it "drivel" and "boring", but they must be easily distracted, for I was fascinated by the oddness of Lempriere's obsessions, though I occasionally wanted to smack him for being naive. Read it. You may just like it. (And as for the Publisher's Weekly review, if they can't even spell the main character's name correctly, it would implicate that they don't know what the heck they're talking about.)
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