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The Wizard of Oz, by L. Frank Baum
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Exquisitely detailed scenes create a breathtaking visual journey through Oz as it's never been seen before. Dazzling, full-color illustrations comprise what is "perhaps the most opulent edition" of this classic and enduring American fairy tale. This dynamic edition is sure to create a new generation of Oz-lovers. Full color throughout. 10" x 13".
- Sales Rank: #1123537 in Books
- Published on: 1991-08-20
- Released on: 1991-08-20
- Original language: English
- Number of items: 1
- Dimensions: 13.50" h x 10.75" w x .50" l,
- Binding: Hardcover
- 96 pages
Amazon.com Review
In the 100 years since L. Frank Baum first published his Wonderful Wizard of Oz, countless authors and illustrators have adapted, interpreted, and retold this story of Dorothy and her unusual companions, the Scarecrow, the Tin Woodman, and the Cowardly Lion. But for sheer opulence and sumptuous color, award-winning artist Charles Santore's 100th anniversary edition takes the cake. Santore's large, fairy-tale style watercolors feature ominous, shadowy forests, magnificent but deadly poppies, the whimsical, green-tinted landscapes of Oz, and the golden gray fields of Kansas. Each page is awash in color; many of the two-page spreads have no text to distract readers from the illustrations' myriad details--not-yet-blooming poppy buds, the Tin Woodman's watering can head, and the radiant good witch, Glinda, posing on her ruby-encrusted throne. The text is condensed rather than adapted; so virtually every word is Baum's own. Although some scenes have been left out, Baum's classic story rings through, loud and clear. Sharing this lush edition with a favorite child would be the perfect way to celebrate a century of Oz. (Ages 4 to 8) --Emilie Coulter
From Publishers Weekly
Santore's illustrations for this new edition of Baum's classic tale work on two levels. They capture the story's epic sweep in numerous colorful landscapes and dramatic tableaux, and they are models of sustained characterization. Though the paintings occasionally lapse into Saturday morning TV cartoon art, they generally evoke the many beloved scenes with verve. In contrast to a rather mundane scarecrow, Santore's cowardly lion is a splendid beast--looming over his companions, lower jaw ever a-quiver. The episodes in the Emerald City are appropriately green-tinted (the book's pages, in fact, are green in these sequences) and cleverly framed by faceted, emeraldlike borders. Unfortunately, the text is abridged, and significant sequences and characters are missing. These cuts have robbed Santore of the chance to realize fully his vision of Oz, and readers of the opportunity to enjoy the story as Baum told it. Morrow's facsimile of the first edition illustrated by W. W. Denslow and Holt's edition illustrated by Michael Hague are better versions of this enduring favorite. All ages.
Copyright 1991 Reed Business Information, Inc.
From School Library Journal
PreSchool-Grade 4-- While not precisely a picture-book version, this title features full-color illustrations on every page and a considerably shortened text. Santore's paintings are striking and they effectively mirror the familiar adventures of Dorothy and her friends. Unfortunately, the abridgment of the text is less successful. Much is made of the fact that few additions were made, leaving much of Baum's language intact. However, the deletion of some descriptive and transitional phrases and of various events creates a text that is much flatter and less engaging than the original. While the brevity and brisk tone do make the story suitable for very young listeners, the danger exists that those who have enjoyed Santore's version will never experience the magic of Baum's complete work. This concern, of course, must be weighed against the fine quality of the artwork and the fact that the book will undoubtedly prove useful in many collections. The decision to include abridged texts rests with each library. For those who do include such items, this Wizard of Oz will be a worthwhile investment. --Lisa Dennis, The Carnegie Library of Pittsburgh
Copyright 1991 Reed Business Information, Inc.
Most helpful customer reviews
447 of 464 people found the following review helpful.
The Correct Order of all 14 Books in the series !!
By Ellie Tyson
I know you're all wondering, "how does she know the correct order?" Is she over 100yrs old? Well, I know because my grandmother, gone for 34 yrs now, had each and every book bought hot of the presses. Inside each book, except the first, are the previous books in order. Also a couple of the names have changed a bit since they were first written but I have the Books of Wonder titles in this list.
So, here they are in correct order.
The Wonderful Wizard of Oz
The Marvelous Land of Oz
Ozma of Oz
Dorthy and the Wizard in Oz
The Road to Oz
The Emerald City of Oz
The Patchwork Girl of Oz
Tik-Tok of Oz
The Scarecrow of Oz
Rinkitink in Oz
The Lost Princess of Oz
The Tin Woodman of Oz
The Magic of Oz
Glinda of Oz
79 of 79 people found the following review helpful.
A true delight for Oz fans!
By Sheila L. Beaumont
This beautiful, oversize, lavishly illustrated Centennial Edition of L. Frank Baum's "The Wonderful Wizard of Oz" is a cornucopia of enjoyment for Oz fans. Edited by Oz expert Michael Patrick Hearn, it's annotated in a manner similar to Martin Gardner's "Annotated Alice" (Gardner contributes a preface outlining the history of the "The Annotated Wizard of Oz").
There's a hundred-page introduction, with lots of photos and color illustrations, covering Baum's life, his family, his non-Oz books, and the history of the Oz phenomenon (books, plays, musicals, movies, other Oz authors, and much more).
The story itself is reproduced from the 1900 edition. W.W. Denslow's original illustrations, including all 24 color plates, are here too. Hearn's notes are entertaining, informative and very extensive. For example, there are three double-columned pages dealing with Baum's brief one-page introduction alone!
Anyone who loves the Oz books will find countless hours of pleasure in this delightful book. It's well worth the price!
178 of 189 people found the following review helpful.
The ORIGINAL Wizard of Oz is Published
By Sam A. Milazzo
I don't own THIS particular Edition, but I will soon, and as soon as I saw it in Dymmocks, I looked through it and thought "I've really gotta get this book!" And this is why . . . .
I'm sure that there are those of you who have the annotated Wizard of Oz and/or the Dover editions of the Wonderful/Wizard of Oz (Dover has made different copies in publishing it in different ways). the Annotated Wizard of Oz may have the pictures in full-colour, but the colour plates are in 1 whole place, in the middle of the book, and that goes the same for the recent Dover Edition of the Wonderful Wizard of Oz (where Dorothy is wearing a pink dress, talking to her friends, all wearing the Green glasses). The other Dover editions of this story have the pictures in black-and-white (sometimes all, other times, a few of them) with the colour-plates in their own chapter but in black-and-white.
THIS EDITION - the 100th Anniversary Edition - is one everybody should have. It has all the pictures in colour-and-black lined with the FULL-COLOUR-Plates in their OWN PROPER CHAPTER place, e.g. "She caught Toto by the ear" in THE CYCLONE, "I am the Witch of the North" in THE COUNCIL WITH THE MUNCHKINS, etc. It even has the picture of Dorothy and Toto back in Kansas on the very final page on the book in the backboard. And when you pull off this picture-cover (the one that you see now), the actual cardboard-leather-bound cover has the EXACT SAME ORIGINAL Cover Angela Lansbury shows in "The Wonderful Wizard of Oz: The Making of a Movie Classic", where the Cowardly Lion is wearing the Green glasses on the Front cover, Toto is on the spine and the back has the faces of Dorothy, the Scarecrow and (Nick chopper) the Tin Woodman in circles.
An Important Note on this story is that it Is Imaginative But it Is Not DARK as some people say. It is not scary nor is it supposed to be attempted that way in any new adaptation, nor should it always be made similar to MGM with constant references or musical scenes. This is an AMERICAN 1900 Story, it is not English/British like J. K. Rowling's Harry Potter, Tolkien's Hobbit/LofR or C. S. Lewis' Narnia - it is its own place!! Oz is a place where animals can talk, there are strange animals who are not mythical and never appeared in any other legends, wicked people are defeated by simple acts, by it accidentally-non-magical or magical, everybody is friends and the ordinary items of our world can have strong but simple magic.
Now matter how much the MGM Musical is loved, reading this book is worth it, because it explains how many of the events in Oz came to be when Dorothy arrived: how did the Tin Woodman come to be? How did and why do the Winged Monkeys obey the Wicked Witch of the West? What became of the Winkies after the WWWitch's death? Did Lion become the King of Beasts again? Naturally the musical is different from the book, but despite the change of the Kansas beginning/ending, the story is basically the same. this book only offers MORE than the movie did.
Hope you enjoyed my descriptive review. Watch out for my other Oz and Digimon reviews (by Sam A. Milazzo).
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